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Talking about Gabriella Cohen requires a new adjective: when she tells you about a guitar tone she likes, an organ sound she’s looking for, or the opening bars of The Velvet Underground’s ‘I Found a Reason’, she might tell you these things sound ‘pink’. She’s not describing a synesthetic or aesthetic connection with the colour — instead, it’s an adjective she’s coined. Luckily, after a spin through Cohen’s debut album Full Closure and No Details, we’ll all know what ‘pink’ sounds like: it sounds like this. It sounds like heartbreak and reckless abandon, like quiet reflection and raucous teamwork.