Tina Dico
Box office: 0871 472 0400
Award winning Danish singer-songwriter, who has previously being Zero 7 vocalist
Singer-Songwriter Tina Dickow hails from Aarhus. Having decided to plot the 'indie route' in her native Denmark, Tina released her first album 'Fuel' in 2001 to critical acclaim. Not happy to rest on her laurels, Tina's wanderlust took her to London where she embarked on two years of musical isolation and discovery. Along the way, she was invited to feature on Zero 7's second album 'When It Falls'. Featuring on two tracks, Tina went on to tour the world with the band. In the midst of this, Tina found time to write, record and release a second album ('Notes') and an EP that was released solely in the UK and North America ('Far'). This activity culminated in signing a major record deal with Sony in the UK. Tina went on to record what would be her most successful album to date ('In The Red'). The album was produced by Chris Potter (best known for his work with The Verve). With the Sony/BMG restructuring, Tina became a pawn in the merger and the newly formed Sony BMG gave Tina back the masters for her to release independently. Since then, Tina has never looked back. Picking up several music awards along the way, Tina continued to tour extensively, signed a licensing deal with Universal in Germany and gathered further critical acclaim from all quarters. Tina is now about to release her 4th studio album ('Count To Ten') and already the critics and media are sighting this recording as her most important and personal release to date.
album 'In The Red' -out now ... 'album of the week' - Radio 2
You know how it works: pretty female singer gets signed by a big record company, marketing men crank into gear, playlists are secured, key territories identified, support slots booked, budgets are spent and, with a bit of luck and a prevailing wind, youve got a hit. Thats how the record business works.
Or you could do it Tina Dicos way. That the 27-year-old has beaten Coldplay and U2 to Number One in her native Denmark is impressive. That she has won the Best Songwriter Grammy and been voted Best Composer at the Danish Music Critics Awards is no mean feat. But the fact she did all this by putting out her music herself without recourse to the marketing muscles of A Big Record Company makes her unique. In an age of gimmicks and payola, text-in talent contests and image-first/music-second rock posturing, Tina Dico did it the other way: on the strength of her songs.
I guess it is quite unusual to start your own label when youre 23 and release your own album in the States when youre 27, she says. It goes to show you what you can achieve.
Now, with In The Red, Tinas debut UK album of sumptuous, rocking songs, were about to see how much further a little independent spirit can go.
Tina Dico was born in Arhus, the second largest city in Denmark, which, with a population of half a million, she points out, isnt very large. Her upbringing was trauma-free. Mum was a nurse, dad was a carpenter. Dad was also a hi-fi nut. He built speakers and a music room in the basement, and filled the house full of records. It didnt matter what these records were, so long as they sounded good. Tina remembers the Russian opera singers and the German classical concerts and, although her ear was turned by the works of Leonard Cohen and Donovan, there was no musical epiphany. Not just yet.
If youve ever wondered what music lessons for a 12-year-old in a Danish school are like, Tina reveals theyre not much to write home about. We would sing traditional boring Danish songs, from traditional boring Danish songbooks, she says. One day, though, a relief music teacher broke with convention and allowed the class to play whatever instruments they liked. Tina, who wasnt backwards in coming forwards with her appetite for learning, attempted to master the lot: from drums to guitar.
Back at home, she locked herself in dads music room and started writing songs on an old family piano. Except, they werent really songs. It was more like my diary, she says. Adding verse after verse about what was going on in my teenage life. It got more and more personal. It was my way of dealing with things. Dad, the hi-fi nut, was encouraged. He gave Tina an old reel-to-reel tape machine. Then he built her a microphone. Still, as far as Tina was concerned, none of this was really leading anywhere. I never imagined I was going to be a musician, she says. It was way too personal. It was more like a secret sort of meditation.
What Tina needed, of course, was an audience. Aged 15, she got one: friends asked her to sing in their band. It was an amazing revelation, she says. To get that reaction. It made me realise how music could make me live in the moment. When you perform music you cant think of anything else. You just exist. You let it flow through you. This was her musical epiphany.
Still, a career in music still seemed unthinkable, and given Tinas love of learning (great grades at school; a silver medal in the Danish basketball championships) she promptly went off to college to study religion. I was very much into philosophy and western civilisation, so religion seemed a good place to catch both, she explains.
And yet, the music bug had bitten: Tina was drafting lyrics in her religious texts and her mind wasnt really on the classes. Where others might have dropped out, formed a group and toured Europe by Transit, Tina did something else she enrolled in the Danish Royal College of Music. I wanted to do music properly, she says. I got completely sucked into it.
From here, things happened fast. Tina assembled a band. Two of the first gigs she played were talent contests. One was on TV and one was the chance to release a single. She won both. A song Your Waste Of Time became a hit and she gigged constantly. Record companies came knocking and Tina signed with a couple, before growing bored with their less-than-speedy operating pace and deciding to go it alone. Since her dad had always ran his own companies, she figured it was in the blood, anyway.
So it came to pass that Tinas company, Finest Gramophone, put out Tinas first album. It sold well. Still only 23, she acquired a publishing deal and moved to England. While she beavered away on her own music, Tina met new people, did some co-writing and became something of a songwriting pen for hire.
Back in Denmark, a second album of Tinas tunes, this time stripped-back and paired-down, was released: Notes. And it exploded in my face, she says. Notes won the Grammy for Best Songwriter and the highly coveted Danish Music Critics Award for Best Composer. It wasnt a mainstream album, she says. It was without promo, without radio airplay. It suceeded through people recommending it to each other.
Meanwhile, in England, Tina had put down vocals on two tracks on Zero 7s acclaimed second album When It Falls Home and The Space Between both hailed as modern reboots of Joni Mitchells sunshine folk. That done, she set off round the world with the electronic duo, playing the enormo-domes of the UK and the US. What a dream, she says. To be able to tour for the first time at that level and play the biggest venues, sold out gigs everywhere amazing.
2005 saw Tina album Number Three In The Red get released in Denmark where it promptly shot to the top of the charts, whizzing past U2 and Coldplay as it did so. In The Red will get a US and UK release in 2006: a terrific record of emotional honesty, finely wrought tunes and stadium-sized choruses.
Music has always been a very big and mysterious part of my life, she says. Its definitely my way to feel alive. It feels like you can take the whole world and bring it into your body. Its fair to say that I found my calling.
Not only that, but Tinas shown that you can make it in the music business in a way few people would have considered possible in the 21st Century: by herself.
I guess I might change peoples perceptions, she says. I suppose what I achieved in Denmark goes to show that anythings possible. Next stop: the rest of the world.
www.tinadico.com
www.myspace.com/tinadico
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